Equipment

Canon CN-E24mm T1.5 L F Lense

The EF Cinema prime CN-E24mm T1.5 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.

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Panasonic AJ-HPX2700 HD Camcorder

Recognized globally as the industry’s premier digital cinematography camera, Panasonic’s VariCam® HD Cinema Camera has established itself as an indispensable acquisition tool delivering the distinct, prized look of film. The P2 HD VariCam series advances the art of high-end digital cinematography, combining the exceptional reliability and fast workflow of solid-state technology with master-quality, 10-bit 4:2:2 AVC-Intra recording; and the creativity of variable frame rates and shutter speeds to produce beautiful images for movies, documentaries and sports.

The VariCam 2700 offers intuitive operation with single-step variable frame rates ranging from 1 fps to 60 fps (in 720p mode), advanced gamma settings, and essential interfaces including three HD-SDI outputs. Utilizing three 1-megapixel 2/3-inch native HD resolution CCDs, the VariCam 2700 records independent-frame 1080 and 720 images in AVC-Intra 100 and AVC-Intra 50 as well as in industry-standard DVCPRO HD. The solid-state HPX2700 offers you an ever-ready workhorse camera for a variety of professional HD shooting applications at a surprisingly affordable price.

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Sony F65RS Camera

New Digital Cinematography camera which utilizes New 20 Megapixel Super 35mm CMOS imager, whose active image area is 24.7mm X 13.1mm. F65 camera has an integral PL mount which is standard for Film cameras. ARRI and Cooke Lens interface data and Metadata are recorded on SR Memory recorder.

F65 camera has base sensitivity of 800EI. In this mode you have 7 stops latitude over key and 7 stops under providing phenomenal Dynamic Range. F65 covers a wider color space over any other digital cameras. This allows more headroom for color grading and future proof camera original material. The Rotary shutter has range of 11.5 degrees to 180 degrees. This eliminates CMOS motion artifacts. F65/RS also outputs shutter pulse for 3D /Motion Control rig application. With the rotary shutter you also have Built in ND Filters 0.3, 0.6, 0.9 and 1.2 Stops.

In the viewfinder and monitor output from the camera, X2 and X4 magnification can be enabled for critical focusing. Ergonomics of the camera allows use of Film accessories such as ARRI, without any modification to the camera.

When camera is used in 16bit RAW File mode (Digital Negative), in POST one can render multiple resolutions such as:- 4K Cinema (4096 X 2160) 3840 X 2160 2K Cinema HDTV

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TV LOGIC VFW-056wp

The TV Logic VFM-056WP monitor is ideal for HDSLR and Compact HD work. Features include a lightweight design, LED backlit LCD, DSLR Scale, Focus Assist, Various Scan Modes, Markers, Audio Level Meter with speaker and time code display. This monitor converts the HDMI input signal to an HD-SDI output.

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Convergent Design Gemini 4:4:4

Gemini features S‐Log support, with user programmable viewing LUTs, which can be enabled selectively for either HD‐SDI output. Flexible recording options, include simultaneously recording native S‐Log video to one SSD (for on‐line), and the same footage with burned‐in LUTs to the second SSD (for faster creation of off‐line proxies and/or H.264 video for mobile devices/internet).

A 3D/Stereo (extra‐cost) option will also be available, enabling dual‐stream recording and playback in a single Gemini unit; creating the world’s smallest, lowest‐power, 3D recorder available anywhere. Gemini will record independent left/right channel files, while providing full synchronized playback of two streams as well as side‐by‐side, 50/50 composite, or anaglyph combinations. Gemini can uniquely output 3D in multiple formats simultaneously (ie side‐by‐side and 50/50 composite), to aid in camera alignment and monitoring.

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Canon CN-E15.5-47mm T2.8 L S Lense

The compact and lightweight CN-E15.5-47mm T2.8 L S (EF mount) Cinema Zoom Lens rivals best-in-class zoom magnification and wide-angle focal length range for the Super 35mm format, and is engineered to offer superb optical 4K performance for demanding high-end productions, meeting and exceeding industry standards.

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Cinedeck EX

Cinedeck EX is the world’s first and most versatile, cinema-grade, camera-mountable, recording, monitoring, and playback device. Cinedeck systems provide the widest selection of video, audio, and IT connections available making it the right choice no matter what your production calls for.

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Zeiss Lightweight Zoom LWZ.2

This zoom lens is the first on the market to combine outstanding optical image quality with an
interchangeable mount. The LWZ.2 is a cine lens designed for use with HDSLR as well as traditional
cine cameras. The interchangeable mount guarantees high flexibility for present and future use in
any situation and for a wide range of camera platforms. With the three different mounts available
(PL, EF and MFT mount) there is no need for adapter solutions anymore. Exotic glass materials and
the T* XP anti-reflex coating ensure a sharp, high resolution image that covers the entire Super 35
frame and perfectly matches the other ZEISS cine lenses.

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Canon EOS C300 Cinema EOS Camera

Bringing Canon’s expertise and decades of experience designing sensors, lenses, image processing and design to the world of motion picture capture, the EOS C300 camera has been designed to meet the demanding needs of cinema industry professionals, providing a modular, portable and eminently adaptable system of cameras, lenses and accessories built for moviemaking in the 21st century.

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